Artist: Luca Cambiaso Italian, 1527-1585. It was created by Michele Tosini. Saucer with a mythological scene with Venus, Cupid and Minerva, Porcelain dish, painted on the glaze in blue, red, pink, green, yellow, black and gold. Analysis of An Allegory with Venus and Cupid This panel painting, also known as "Venus, Cupid, Folly, and Time" and "A Triumph of Venus", was purposely designed as a complex, erotic allegory that included a range of iconographic symbols and emblems from the world of mythology. Instead, her attention is directed towards us. Cupid and Venus kiss in the foreground, while the putto Folly prepares to shower them with rose petals. Vasari wrote that a Bronzino painting, probably this one, was sent to King Francis, though he does not specify by whom: "He made a picture of singular beauty, which was sent to King Francis in France; in which was a nude Venus with Cupid kissing her, and on one side Pleasure and Play with other Loves; and on the other, Fraud, Jealousy, and other passions of love" (so not mentioning Time).[1]. In the painting below, Venus sits on her bed, while Cupid is on her lap and holding on to her neck. It is now in the National Gallery, London. Mark Alexander Boyd. Venus is depicted on the front in the clouds, seated in a wagon pulled by two pigeons. The painting was brought by Napoleon from Paris to Vienna, where in 1813, Johann Keglević gained possession of the painting from Franz Wenzel, Graf von Kaunitz-Rietberg. Cranach often depicted female figures from classical mythology and biblical history wearing accessories that were stylish in Germany in the sixteenth century. The great Greek goddess of love and beauty, Aphrodite (or Venus in Latin), was born from the foam near the island of Cyprus, for which reason she is referred to as "the Cyprian." Venus and Cupid is a depiction of a sleeping Venus, who reclines on a blue bed covering and rich crimson and gold tasseled pillow. Log in to USEUM to download unlimited free images, send e-cards and interact with thousands of famous paintings, drawings and illustrations. Fra banc to banc, fra wod to wod, I rin Ourhailit with my feble fantasie, Lyk til a leif that fallis from a trie Or til a reid ourblawin with the wind. Peter Paul Rubens. It probably dates to the mid-1520s, but has been dated as late as the 1540s. Venus directs her attention towards the viewer instead. Here, the inscription ‘CHARITAS’ at the top of the picture... Cupid, the god of erotic love, is complaining to his mother, Venus, the goddess of love: he has been stung by bees after stealing a honeycomb. The masks at Venus’ feet suggest that she and Cupid exploit lust to mask deception. Venus and Cupid, Teylers Museum, CC BY-NC You must agree to the Creative Commons terms and conditions to download this image. It describes how, just like the stings felt by Cupid for stealing the honey, the ’brief and fleeting pleasure we seek is mingled with sadness and brings us pain‘. The pair stand on a gravel path in a verdant and rocky landscape, and grand steepled buildings are visible in the distance. Venus, the goddess of love, leans against a leafy tree while her son Cupid, the god of desire, tries to get her attention. It was created by Josef Grassi. Venus, Cupid, Folly and Time (also called An Allegory of Venus and Cupid and A Triumph of Venus) is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. Cranach painted numerous versions of this subject; there’s another in the National Gallery’s collection, Cupid complaining to Venus. [1] Scholars do not know for certain what the painting depicts.[1]. Label: Several details in this picture suggest that it is an allegorical portrait of a young bride as Venus. The erotic imagery would have appealed to the tastes prevalent in both the Medici and French courts at this time. A family of sculptors named Capuz originally from Genoa was active in Valencia in the second half of the seventeenth and first half of the eighteenth century. Geography: Made in England, Europe Date: Mid- 19th century Medium: Marble Dimensions: Height without pedestal: 63 inches (160 cm) Curatorial Department: European Painting * Gallery 393, European Art 1500-1850, third floor Accession Number: 1986-26-268 Credit Line: The Henry P. McIlhenny Collection in memory of Frances P. McIlhenny, 1986 He clutches a stolen honeycomb in one hand and raises the other to his forehead in anguish as bees swarm and sting him. The bald Time, at the top, looks on and holds a cloth. This alludes to the sting of Cupid’s arrows of love, which cause a pain that lasts far longer than the mere sting of a bee. Aphrodite was a jealous goddess, but she was also passionate. Venus and Cupid is an artwork on USEUM. Wiens lebende Schriftsteller, Künstler und Dilettanten im Kunstfache: dann Bücher-, Kunst- und Naturschätze und andere Sehenswürdigkeiten dieser Haupt- und Residenz-Stadt : ein Handbuch für Einheimische und Fremde, page 319. Venus and Cupid stand in the foreground, a cave at left depicts the iron forge of the god Vulcan, and an extensive landscape unfolds at right. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. His arrow is missing, suggesting that he has been disarmed and is powerless against his mother. Welcome to the Venus & Cupid Arts Trust Peter Brown 2019-03-08T18:09:58+01:00. However, he is known to have executed more than one version of the subject, and another is housed at … The artist’s depictions of this subject were especially popular with his patrons for combining a moralising message with blatant eroticism: here, Venus’ open pose shows off her body. The subject of this painting has been much debated, but it’s generally thought to show an imagined view of a past and primitive society. She restrains a naughty Cupid from shooting a lead-tipped arrow (for extinguishing love rather than kindling it). Venus and Cupid Hans I Rottenhammer Art Funded 1997 Dimensions 11 x 15 cm Bequeathed by Rosi Schilling through The Art Fund. Sign up to our emails for updates. Instead, her gaze is directed towards us. Cupid, who is her son, is fanning her with some peacock feathers to keep pests away, and watching over her adoringly. This is one of 111 drawings bequeathed to the … The painting has come to be known as Venus, Cupid, Folly and Time, and it is generally agreed that these are the principal figures (with "Folly" representing this or the personification of a similar concept). His depictions, which combine a moralising message with blatant eroticism, were especially popular with his patrons. The putto to the right of Cupid and Venus, preparing to shower them with rose petals, is often identified as Folly. These accessories would have made the timeless goddess appear modern to Cranach’s original audience as they reflect the fashions of the Saxon court where the artist worked for the electors of Saxony. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. The great Greek goddess of love and beauty, Aphrodite (or Venus in Latin), was born from the foam near the island of Cyprus, for which reason she is referred to as "the Cyprian." Venus and Cupid is a typical example of his bold use of color, pearly statuesque flesh, serpentine poses, and expressive, almost bizarre landscapes. 'Fraude' as interpreted by Erwin Panofsky, Allegory of the Triumph of Venus by Agnolo Bronzino, Cosimo I de' Medici, Grand Duke of Tuscany, "bronzino-an-allegory-with-venus-and-cupid", peter-paul-rubens-the-judgement-of-paris + Venus, "Bronzino's An Allegory with Venus and Cupid", https://en.wikipedia.org/w/index.php?title=Venus,_Cupid,_Folly_and_Time&oldid=1018647590, Collections of the National Gallery, London, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, The foot at the lower left corner is the source of the emblematic, The painting is the title of Episode 22 of, The name of the painting is also the name of a box set by the pop band, This page was last edited on 19 April 2021, at 04:33. In front of her is Cupid, who points his arrows downwards. ©. The masks at Venus’ feet suggest that she and Cupid exploit lust to mask deception. His patrons the painting depicts. [ 5 ] there is another in the form of a bride! 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