The 400 Blows traces 14-year-old Antoine Doinel’s odyssey through a life of aloof parents, oppressive teachers and petty crime. Antoine consequently lives a street urchin's life as he lies to people in authority - his parents, his teachers, and the police - since he admits rather sadly that the truth doesn't make any difference. Filmmakers Akira Kurosawa, Luis Buñuel, Satyajit Ray, Jean Cocteau, Carl Theodor Dreyer, Tsai Ming Liang, Woody Allen, Richard Lester, P C Sreeram, Norman Jewison and Nicolas Cage have cited The 400 Blows as one of their favorite movies. Truffaut tracks Antoine's life through a series of dispiriting episodes that ultimately lead him to be sent away to a reformatory after he gets caught returning a stolen typewriter and his mother and stepfather tire of their responsibility over him. A timeless coming-of-age film from François Truffaut, The 400 Blows captures the ups and downs of adolescence with an honest voice, humor, and a great deal of sympathy. Year Released: 1959. Much like Truffaut, Antoine (Jean-Pierre Léaud) struggles in school, grapples with his parents, and has a trusted best friend. [5] It ranked 13th in the directors' poll on the same list. [14][15] Kurosawa called it "one of the most beautiful films that I have ever seen". The stepfather turns Antoine over to the police and Antoine spends the night in jail, sharing a cell with sex workers and thieves. In post-war Italy, a working-class man's bicycle is stolen. The 400 Blows book. "The 400 Blows" fades in on a traveling shot down a Parisian street. [18], The festival poster for the 71st Venice International Film Festival paid tribute to the film as it featured the character of Antoine Doinel portrayed by Jean-Pierre Léaud. Which of these debut films would you most like to watch (or watch again, if you've already seen them). Sie küßten und sie schlugen ihn in der BRD, Streiche und Schläge in der DDR, (französischer Originaltitel Les Quatre Cents Coups, dt. Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), THE 400 BLOWS sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. Told from the point of view of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows (Les quatre cents coups) sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. 1959. Certificate: Passed If you say that the end point of a coming-of-age story is supposed to be “Now you’re a man or woman,” that’s very shallow. The 400 Blows suggests that every kid is just a few steps away from delinquency. The screen test of Richard Kanayan (who has a minor role as a schoolmate) is amusing for his Satchmo-inspired rendition of "When the Saints Go Marching In" and his eerie resemblance to Fantasy Island's Tattoo, Herve Villechaize. [9], The following are locations used in the filming:[citation needed], The film opened the 1959 Cannes Film Festival and was widely acclaimed, winning numerous awards, including the Best Director Award at Cannes,[10] the Critics Award of the 1959 New York Film Critics' Circle and the Best European Film Award at 1960's Bodil Awards. The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter. The 400 Blows (French: Les Quatre Cents Coups) is a 1959 French New Wave drama film, and the directorial debut of François Truffaut. On the positive side, The 400 Blows held out the potential for later and greater works. Everett. The ecclesiastical jurists attempt to force Jeanne to recant her claims of holy visions. It is heartbreaking to see how bleak his life becomes, yet Leaud imbues the incorrigible, often intolerable side of Antoine with fervor.There are several interesting extras included with the 2006 DVD package starting with two separate interviews with Truffaut, the first a year after the film's release discussing he film's impact and the second five years later when we see the filmmaker in a more reflective mood about his cinematic influences. Cast: Jean-Pierre Léaud, Claire Maurier, Albert Rémy. Take a look ahead at some of our most anticipated superhero movies coming in 2021 and beyond. (1959). Truffaut also included a number of friends (fellow directors) in bit or background parts, including: himself and Philippe De Broca in the funfair scene; Jacques Demy as a policeman; Jean-Luc Godard and Jean-Paul Belmondo as overheard voices (Belmondo's in the print works scene). The 400 Blows is that rare century-old movie whose message is as powerful today as it has ever been. [7], Besides being a character study, the film is an exposé of the injustices of the treatment of juvenile offenders in France at the time. Get a sneak peek of the new version of this page. As the seminal work of the French New Wave, the 1959 directorial debut of 27-year old Francois Truffaut has such a vaunted reputation that the final film is bound to disappoint. It's worth seeing twice - once for the film itself and a second time to listen to the newly recorded commentary by Truffaut's childhood friend Robert Lachenay (the true-life inspiration for Rene in the film). etwa: Vierhundert Streiche), ist ein Filmdrama des Regisseurs François Truffaut. [16], The film was ranked #29 in Empire magazine's list of "The 100 Best Films of World Cinema" in 2010. Inspired by Truffaut's own early life, it shows a resourceful boy growing up in Paris and apparently dashing headlong into a life of crime. Told through the eyes of Truffaut's cinematic counterpart, Antoine Doinel (Jean-Pierre Leaud), THE 400 BLOWS sensitively re-creates the trials of Truffaut's own... Read more . A loner on the brink of rebellion, Antoine is buoyed along the way by a touching friendship, a love of cinema, and the hope of escape. Sincere and direct, Truffaut’s movie was one of the first works of the Nouvelle Vague, or new wave, a movement to breathe new life into film. And once again, Criterion delivers the goods on Blu-Ray. BLOW-UP. Truffaut made four other films with Léaud depicting Antoine at later stages of his life: Antoine and Colette (which was Truffaut's contribution to the 1962 anthology Love at Twenty), Stolen Kisses, Bed and Board, and Love on the Run. He decides to skip school and begins a downward spiral of lies and theft. The 400 Blows. Guy Maddin and Anne-Katrin Titze remember Bertrand Tavernier by Anne-Katrin Titze - 2021-03-26 11:54:51, Cate Blanchett Will Play Donald Trump’s Sister in James Gray’s Armageddon Time, The Best French Movies of the 20th Century. All it takes is a dismissive parent or an abusive teacher or a needling friend and our worst impulses can hold sway during those formative years. The 400 Blows", "The 100 greatest foreign-language films", "Venice Film Fest Unveils Poster for 71st Edition", "Venice Film Festival 2014: What we know so far", New York Film Critics Circle Award for Best Foreign Language Film, Women on the Verge of a Nervous Breakdown, https://en.wikipedia.org/w/index.php?title=The_400_Blows&oldid=1016405299, Films with screenplays by François Truffaut, Articles with unsourced statements from December 2018, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from December 2018, Articles that may contain original research from December 2018, All articles that may contain original research, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Patrick Auffay as René Bigey, Antoine's best friend, Robert Beauvais as director of the school, This page was last edited on 7 April 2021, at 00:27. It was nominated for Best Original Screenplay at the 32nd Academy Awards. Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character. As a point of comparison, listen to the by-the-numbers commentary by film scholar Brian Stonehill (recorded back in 1992), which is thoughtful and well researched but devoid of the human factor.The film's title comes from a French colloquialism that translates into "raising hell", an appropriate reference since the story focuses on a thirteen-year old hellion named Antoine, living in a poor section of Paris and neglected by parents downright arrogant in their dysfunctional nature. Use the HTML below. His parents bicker constantly and he knows his mother is having an affair. Be forewarned that the film is relentlessly downbeat, but Truffaut's emotional investment and consummate abilities as a filmmaker, even at this stage of his career, make this essential viewing. 33 of 43 people found this review helpful. While playing football with the other boys one day, Antoine escapes under a fence and runs away to the ocean, which he has always wanted to see. Leaud is featured in 16mm screen test footage where his naturally ebullient personality emerges and then after the 1959 Cannes Film Festival where puberty has apparently kicked in and then in 1965 as a comparatively reserved twenty-year old. A coming-of-age story is supposed to chart the passage to adulthood, and this story just ends. The 400 Blows shows the challenges faced by a 13-year old who clashes with the rigid, unfeeling adult world. Written by Biography. The end of The 400 Blows is a resolution, but it’s not the one that you’re supposed to get from a coming-of-age story. His parents are at their wits' end, and after he's stopped by the police, they decide the best thing would be to let Antoine face the consequences. His parents are at their wits' end, and after he's stopped by the police, they decide the best thing would be to let Antoine face the consequences. An old couple visit their children and grandchildren in the city, but receive little attention. [7] Truffaut dedicated the film to the man who became his spiritual father, André Bazin, who died just as the film was about to be shot. He does manage to escape however. Director: François Truffaut. The camera moves down the street and towards the Eiffel Tower until it is blocked from view by a building. Was this review helpful to you? The 400 Blows is widely considered one of the best French films in the history of cinema; in the 2012 Sight & Sound critics' poll of the greatest films ever made, it was ranked 39th. He is especially impressive in an apparently improvised scene where he is interviewed by the school authorities about why his life has come to this. We are allowed to share some of his private moments, as when he lights a candle before a little shrine to Balzac in his … In 1431, Jeanne d'Arc is placed on trial on charges of heresy. [citation needed] Before seeing it, some people[who?] [19][20], Academy Award for Best Original Screenplay, best French films in the history of cinema, Learn how and when to remove this template message, List of films with a 100% rating on Rotten Tomatoes, Box Office information for Francois Truffaut films, "faire les quatre cents coups - Wiktionary", "BFI | Sight & Sound | Top Ten Poll 2002", "The 100 Best Films Of World Cinema | 29. Seemingly in constant trouble at school, 14-year-old Antoine Doinel returns at the end of every day to a drab, unhappy home life. During an interview with the judge, Antoine's mother confesses that her husband is not Antoine's biological father. By Richard Schickel Jan. 13, 2010. [8], According to Annette Insdorf writing for the Criterion Collection, the film is "rooted in Truffaut’s childhood. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. Truffaut shows his mastery of the cinema in this, his freshman attempt. garykmcd. He's sent to a juvenile detention facility where he doesn't do much better. The film holds a 100% "Certified Fresh" rating on Rotten Tomatoes, based on 57 reviews, with a weighted average of 9.34/10. “The 400 Blows” illustrates how hard and necessary it is to focus on hope by showing us how easily and inevitably Antoine’s considerable talents, middle-class resources, friends, acute self-awareness and attempts to escape can be overwhelmed by all-too-common parental and social neglect. with references to other works—most notably a scene borrowed wholesale from Jean Vigo's Zéro de conduite. The 400 Blows, French Les Quatre Cents Coups, French film drama, released in 1959, that defined the New Wave cinema movement created by young French directors in the late 1950s and ’60s. [6] On the first prints in the United States, subtitler and dubber Noelle Gillmor gave the film the title Wild Oats, but the distributor did not like that and reverted it to The 400 Blows. He and his son set out to find it. His parents bicker constantly and he knows his mother is having an affair. Francois Truffaut . The 400 Blows . He finally quits school after his teacher catches him plagiarizing Balzac. Largely autobiographical, it recounts the story of an adolescent boy “raising hell” (which explains the idiomatic French title Les Quatre Cents Coups) (Fabe 125). The 400 Blows is my first stint with this director's works and the elegant manner in which he has unfolded this story before our eyes is sheer poetry. thought the film covered the topic of corporal punishment. Truffaut’s approach is ideology because the themes and concerns revolve around a delinquent child, his family and his school. The 400 Blows (French: Les Quatre Cents Coups) is a 1959 French New Wave drama film, and the directorial debut of François Truffaut. Antoine Doinel is 17, lives in a hotel and works in a factory making records; he loves music. A small-time thief steals a car and impulsively murders a motorcycle policeman. Get This Movie. The Eiffel Tower can be seen in the distance over a few rooftops and the viewer's attention is naturally drawn to it throughout the opening sequence. Francois Truffaut's first feature is also his most personal. Seemingly in constant trouble at school, 14-year-old Antoine Doinel returns at the end of every day to a drab, unhappy home life. [according to whom?] His parents have little money and he sleeps on a couch that's been pushed into the kitchen. [citation needed], The semi-autobiographical film reflects events of Truffaut's and his friends' lives. The 400 Blows Summary After setting his camera in search of the Eiffel Tower through the opening credits, Truffaut sets us down inside a classroom. Keep track of everything you watch; tell your friends. Speaking in French but subtitled in English, he provides insights into the story and context of the film that no film scholar or even production associate could possibly provide. Read 3 reviews from the world's largest community for readers. The 400 Blows Movie Gif Page [17] In 2018, the film was voted the eighth greatest foreign-language film of all time in BBC's poll of 209 critics in 43 countries. Antoine Doinel (Jean-Pierre Léaud) unfortunately experiences all three of these unhealthy influences. The film concludes with a freeze-frame of Antoine, and the camera optically zooms in on his face, looking into the camera. Seemingly in constant trouble at school, 14-year-old Antoine Doinel returns at the end of every day to a drab, unhappy home life. Francois Truffaut's "The 400 Blows" (1959) is one of the most intensely touching stories ever made about a young adolescent. The prevailing approach to The 400 Blows is an ideology in which the underlying principle is Hollywood hegemony. O ne of the initiating sparks of the French New Wave, The 400 Blows ultimately boils down to the film’s trendsetting coda, perhaps the most exclamatory question mark in movies. She sees him as a friend, but her parents love him. In 1959, François Truffaut’s The 400 Blows won him the award for best director at the Cannes Film Festival.The 400 Blows remains a prime example of the stylistic innovations of the French New Wave. He falls in love with a woman he meets at a concert. It’s almost saying, your life is over now, you’re old enough, and you’ve … The 400 Blows’ formlessness prevents it from reaching the greatness it may have attained with a better screenplay and a more experienced eye both behind the camera and in the editing room. The 400 Blows study guide contains a biography of director Francois Truffaut, literature essays, quiz questions, major themes, characters, and a full summary and analysis. A nurse is put in charge of a mute actress and finds that their personae are melding together. 59 likes. It was the first film in François Truffaut ’s acclaimed Antoine Doinel series, which followed a character widely considered to be the director’s alter ego. 1 hr 40 mins. This movie gives a searing critique against the home, educational and penal institutions. The film marked Truffaut’s passage from leading critic to trailblazing auteur of the French New Wave. RELATED. He reaches the shoreline of the sea and runs into it. A young boy, left without attention, delves into a life of petty crime. A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. Misunderstood by his parents for playing truant from school and stealing, and tormented in school for discipline problems by his teacher (such as writing on the classroom wall, and later falsely explaining his absence as having been due to his mother's death), Antoine frequently runs away from both places. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Director . He decides to skip school and begins a downward spiral of lies and theft. After being discharged from the army, Antoine Doinel centers a screwball comedy where he applies for different jobs and tries to make sense of his relationships with women. Antoine Doinel is a young boy growing up in Paris during the 1950s. Want to share IMDb's rating on your own site? In style, it expresses Truffaut's personal history of French film,[according to whom?] View production, box office, & company info. He steals a Royal typewriter from his stepfather's workplace to finance his plans to leave home, but, having been unable to sell it, is apprehended while trying to return it. The 400 Blows received numerous awards and nominations, including the Cannes Film Festival Award for Best Director, the OCIC Award, and a Palme d'Or nomination in 1959, and was also nominated for an Academy Award for Best Original Screenplay in 1960. The English title is a literal translation of the French that fails to capture its meaning, as the French title refers to the idiom "faire les quatre cents coups", meaning "to raise hell". Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy. The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev. François Truffaut’s first feature, The 400 Blows (Les Quatre cents coups), was more than a semi-autobiographical film; it was also an elaboration of what the French New Wave directors would embrace as the caméra-stylo (camera-as-pen) whose écriture (writing style) could express the filmmaker as personally as a novelist’s pen. The 400 Blows was applauded by critics, earning Truffaut the best director award at the 1959 Cannes Film Festival. From this he began to develop ideas for a screenplay which would use a number of interlocking stories on the subject of childhood (Baecque and Toubiana 2000: 126–7). The film marked Truffaut’s passage from leading critic to trailblazing auteur of the French New Wave. The Four Hundred Blows is the semi-autobiographical story of Antoine Doinel, a boy trapped in a life of contemtptuous authority who turns to outward rebellion. The 400 Blows(Les Quatre Cents Coups) or its literal translation: “Raising Hell”—is the simple semi-autobiographical tale of Truffaut mirrored by the actions of Antoine. Part of the Series: Criterion Essential Collection. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. The seeds of The 400 Blows lay in Truffaut’s earlier short film, Les mistons/The Mischief-Makers (1957), which had drawn on memories of his own childhood. Title: Antoine is placed in an observation center for troubled youths near the seashore (as his mother wished). [11], The film is among the top 10 of the British Film Institute's list of 50 films that should be seen by age 15.[12]. However, the pristine print that comes with the new Criterion Collection DVD really makes me realize what a brave and emotionally resonant film he made ostensibly about his own troubled adolescence. The 400 Blows, Paris, France. He's sent to a juvenile detention facility where he doesn't do much better. Decades of a love triangle concerning two friends and an impulsive woman. One of the defining films of the French New Wave,[3] it displays many of the characteristic traits of the movement. François Truffaut’s film The 400 Blows (or Les Quatre Cents Coups) falls under the category of art cinema; its style and form can be understood by way of an understanding of the conventions or anti-conventions of the art film model. (Only Kiss Me Deadly, which similarly ends in the surf, and L’Eclisse come to mind as potential rivals.) His parents bicker constantly and he knows his mother is having an affair. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his reb… The movie that defined the French New Wave for the world. From Wings to Parasite, here's a look back at all of the Best Picture Oscar winners in the history of the ceremony. The film had 4.1 million admissions in France, making it Truffaut's most successful film in his home country.[4]. He does manage to escape however. The film, shot in DyaliScope, stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. Adults see him as a troublemaker. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. Set in early 1950s Paris, the film is an expertly crafted character study of a young adolescent who's often misunderstood by his peers and, after being left with no attention,… Review by crazyfilmcritic ★★★★½ 6. The film, shot in DyaliScope, stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. As the students take a test, they pass around a picture of a pin-up model. After living a life marked by coldness, an aging professor is forced to confront the emptiness of his existence. The 400 Blows is my first stint with this director's works and the elegant manner in which he has unfolded this story before our eyes is sheer poetry. You must be a registered user to use the IMDb rating plugin. The 400 Blows With brilliant direction by Truffaut and a great performance from a young Jean-Pierre Le aud, this is the definitive film from the French New Wave. To Truffaut's immense credit, the film feels stark and naturalistic without resorting to dramatic manipulation, and he finds the ideal Antoine in Jean-Pierre Leaud, who brings out the confusion, angst and wandering attention of his character in realistic terms. The title 400 blows might be thought of covering the topic of corporal punishment of the domestic variety, but this film is really about one bad kid's (Antoine) tumble into a life reminiscent of hell and his desperate attempts of ascending back into a life of 'heaven'. "[9] This includes how both Antoine and Truffaut "found a substitute home in the movie theater" and both did not know their biological fathers. A psychologist at the center probes reasons for Antoine's unhappiness, which the youth reveals in a fragmented series of monologues. That’s more than many first films, New Wave or not, have ever done. Les quatre cents coups. Catches him plagiarizing Balzac her claims of holy visions in 1431, Jeanne d'Arc is placed on trial on of..., according to Annette Insdorf writing for the Criterion Collection, the 400 Blows out... Film had 4.1 million admissions in France, making it Truffaut 's personal history of the ceremony has been! Feature is also his most the 400 blows on your own site students take a test they. He 's sent to a drab, unhappy home life works—most notably a borrowed! Zéro de conduite that rare century-old movie whose message is as powerful today as it ever! If you 've already seen them ) just a few steps away from delinquency petty. 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